PAPER COMMENTS
I was glad to see how the paper developed fromthe abstract - as there is much more to study and understand.  I appreciate the addition of the historic context and the conceptual setting for the project. 

A few things would make the paper stronger.  Clarify what you mean by profile and contour.  I have an idea that profiles are either the edge of a 3d form as seen from a particular view or a 2D silhouette projection of edges onto a picture plane.  I imagine contour lines as isolines from a topographical model but I think of contour drawing as recording edges rather than surfaces.  Due to these ambiguities, I am unclear about "the relationship between profile and contour".  

The paper's language makes it difficult for me to understand the study. I don't know what is "metaphysical simultaneity" or "the human image formed by architecture", so I have a hard time understanding the architectural design implications of the lines of a body in motion.

I see promise in this work and would like to see it advance with more formal explorations and clearer implications.  Figure 2 is very beautiful and shows the possibilities for form-making from motion capture.  I know that motion capture has been used for a long time in Hollywood and I would be interested to know if communities such as ISEA and Leonardo have published on this topic.  I think Lisa Iwamoto of Berkeley and Julio Bermudez of Utah (Cyberprint) have done strong body visualization projects.


PREVIOUS ABSTRACT COMMENTS
I am not clear what work you have done or what is the innovation of your approach.  Looking at the body in motion as a generator of form has been a fascination since Eadweard Muybridge (see Marta Braun's Picturing Time, MIT Press).  More recently Kas Oosterhuis in the Netherlands and Lisa Iwamoto, U.C. Berkeley have created interesting projects exploring this theme. Iwamoto used motion capture techniques to generate form.  For the the last several years, the FEIDAD digital architecture competition has featured morphing dynamic spaces:  tracing motion to generate spatial organization.  The topic is interesting; you need to explain what you are adding and why it matters.

Simplifying and clarifying your language could give your ideas a wider audience.  I have no clue what "metaphysical simultaneity" means.

